I work across food, textiles, and visual formats to create tangible experiences that resist fixed categories. Borrowing from familiar codes — a fashion magazine that isn’t one, an edible exhibition that shines a spotlight on the figure of the good girl — I use materials as narrative tools to invite open interpretation. I want people to engage with my work not as “art” but as something they encounter naturally, like an everyday object or experience.

My projects often appear playful at first glance, inviting exploration and personal interpretation. Collage and found objects are central to my practice. Through listening—to others, my environment, and my own feelings—I collect small puzzle pieces that shape my work. While curiosity and research guide my process, my training as a designer makes me aware of how every detail communicates meaning, so I use materials deliberately to express specific ideas.

Though my work can take the form of products, they are never just products. What fascinates me most are the associative layers that appear when an object refuses to behave as expected. I want my work to provoke reflection, opening a space where questions arise rather than answers, encouraging people to arrive at their own conclusions.